[SUPER8.LOG]

Seite 82 aus “Schmalfilmen” von Uwe Ney (1974)

[Revue 90m Super8 Filmspule (1969)]

Gefunden in Kiel am Ziegelteich in einem 2te Hand Laden.

Kodak Vision3 200T Negativfilm (ISO/ASA 200)

Kodak investiert in die Zukunft des echten Films mit weiteren, neuen Filmemulsionen. Der jüngste Spross der Vision3 Familie, Kodak Vision3 200T, wird -neben den Filmformaten 65mm, 35mm und 16mm- auch in Super 8 Kassetten verfügbar sein!
=> http://www.wittner-kinotechnik.de/neu/news2010.php

Kodak Reaffirms its Commitment to Silver Halide with two New VISION3 Films
=> http://motion.kodak.com/US/en/motion/about/news/2010/Jun01_1.htm

Behind the Design of KODAK VISION3 200T Color Negative Film 5213/7213
=> http://motion.kodak.com/motion/uploadedFiles/Kodak/motion/Products/Production/VISION3_Color_Negative_Films/VISION3_200T/VISION3_200T_5213_Technical_Backgrounder.pdf

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Mit dem Vision3 200T Color Negative Film 5213/7213 [...] erweitert Kodak seine Vision3 Film Plattform und bekräftigt das Firmenengagement in die Silberhalogenid-Technologie. …
=> http://www.filmecho.de/aktuell/produktion/meldung/?id=13007-Kodak-vergroessert-Vision3-Film-Plattform

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Kodak Super 8 Vision3 200T- “A NY Night”
by lealar (08/2010)
=> http://vimeo.com/groups/2128/videos/13875976

[Photomatons (Eugeni Bonet, Super8, 1976)]

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“There is an Experimental Cinema in Spain, But…” by Albert Alcoz
The main aim of this text is to briefly outline the history of experimental cinema in Spain, to examine what it has been and seek the keys to its possible survival. If ‘experimental cinema’ is a hard category to define, it’s almost harder to pin down ‘Spanish experimental cinema’ in geographical terms. …
=> http://www.experimentalconversations.com/articles/169/there-is-an-experimental-cinema-in-spain-but/

Eugeni Bonet
=> http://www.expcinema.com/wikien/Eugeni_Bonet

Del éxtasis al arrebato. 50 años del otro cine español
Nitrato lírico – Cine experimental y de vanguardia
=> http://nitrato-lirico.blogspot.com/2009/09/del-extasis-al-arrebato-50-anos-del.html